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As I drove from New Jersey to Reading Pa, the site of the Berks Jazzfest on rainy Saturday afternoon, I had the album Global Noize - "Sly Reimagined" playing in the car CD player. You see I knew that since I knew that the primary reason for taking the drive was that I would be seeing Global Noize. That in and of itself was no big deal, since I have seen Global Noize perform many times. In fact I would dare say that I have seen Global Noize perform live more times than anyone reading this. They are perhaps one of the top 2-3 artists that you can possibly see live if you are a fan of FUNK music.

What made me anticipate this show so much is because I knew that they would be performing most, if not all of the songs from their innovative and highly acclaimed 2013 release called "Sly Reimagined." To me one of the very best kind of concerts one can possibly attend is one where the artist performs an entire album. Since I knew that I would be writing this review I wanted to do a comparison between the studio and the live versions of the album.

Well in hindsight that makes absolutely no sense. That's because as good as the album is, there is absolutely no comparison between the album "Sly Reimagined" and the concert that I saw on 3/29/2014. That's because the concert that I saw on 3/29/2014 was one of those mind bending/mind blowing/life altering experiences that one doesn't easily forget. It turned out to be one of the best concerts I have ever seen, In fact I have been wearing the same Sly & the Family Stone baseball cap I wore that night, everyday for the past week.

I just don't want to lose the vibe that's in my mind and in my heart from that night.

Viva La femme

Maya Azucena on lead vocals (in place of the ultra-sultry ) and featuring Karen Briggs on electric violin that, who along with drummer Gene Lane took this funky joint from Global Nozie's 2012 album called; Prayer For The Planet to a whole nother level. I closed my eyes and swore that I was listening to the Mahavishnu Orchestra from 1973. It sure as hell sounded like John McLaughlin, Billy Cobham and Jerry Goodman. But of course it wasn't. However playing some MONSTER FUNK of that ilk, as the very first song, lays down a gauntlet that sets expectations VERY high.


As soon as Viva La Femme was over, ringleader Jason Miles took the microphone and announced to the audience that; "it was now time to have a little fun." Still on lead vocals was Maya Azucena. Mah homegirl from Brooklyn did not let us down as she sang the familiar lyrics;

"Fun.When I party, I party hearty, Fun is on my mind"
"Fun.Put a smile on your face, Leave that bummer behind"
Fun.There's a sister and there's a brother, Havin' fun with each other"

It took the audience a moment to realize what was happening. We just went from Mahavishnu Orchestraesque fierceness to something that sounds like a funky nursery rhyme. And I loved it!!

The Same Thing (Makes You Laugh, Makes You Cry)

The band segued into some of the wisdom of Sylvester Stewart. What is he talking about here? We may never know. All we know is that we all wished that Brotha Sly had taken some of his own advice.

You Can Make It If You Try

This song, the old "pull your self up by your bootstraps song," appears on the surface to be an anthem that even the Republicans might adopt? Instead it was a catch phrase that then candidate Barrack Obama used many times over during the 2008 Presidential campaign. I remember the first time I saw Obama use it in one of his speeches. I'm like
(holycrapheisquotingslystone) Up on stage Global Noize has morphed once again. Now they appear for all practical purposes like they are the "GREATEST GIRL GROUP WHO EVER EXISTED." Standing in front of me now are Maya Azucena, Nona Hendryx of LaBelle and 2014 Grammy nominee Maysa (formerly of Incognito.) While they stand there trading Sylvester Stewart's legendary lyrics of "self-empowerment," the rest of Global Noize has now returned to the highest echelon of FUNK, the place where Sly & the Family Stone took an entire generation to. And they were just getting started!


Next up is the AWESOME song called STAND. You know the song that quite literally transitions from Soul to Funk three-quarters of the way thru, almost as if to trumpet the arrival of FUNK music itself to your consciousness. And as all that FUNK starts winding and twisting its way thru your body, you listen to the words. They are telling you not to be a punk. To take a STAND "for the things that you know are right." As I am intellectualizing about all of that I look up to seen "GREATEST GIRL GROUP WHO EVER EXISTED" (Maya, Maysa & Nona) still on stage and when that "transitional part comes" (you know the part when the song flips from Soul to Funk!) Maya, Maysa & Nona start dancing like they are on Soul Train. Hell I start to jump up myself, but the seats are so close I can't really get up. So I just dance in my chair. The audience goes nuts!!!

Family Affair

Yeah we all know that "blood is thicker than the mud." And of course we know that The original Sly & the FAMILY Stone, was at it's core a "family group." And by family group I mean to say they were no different than the Jacksons, the DeBarges, Five Stairsteps, Cowsills and many others. Clearly there was much more than just music that formed a bond between Sylvester, Freddie, Rose (and sometimes Vet.) In the song "Family Affair," Sly Stone's genius lyrics are clearly vignettes about his own family. However the topics are so universal and so identifiable, that they resonate wit kyxjckwz. pandora charms à vendreh us all and could easily be lyrics about our own families as well. Underneath the lyrics the monster groove makes it easy for us to roll with each individual story and such is the genius of the song. "Family Affair" is so elegant in its simplicity, that people from 6 to 60 love it. In short, "Family Affair" is just about as close to being a "perfect song." As such you might be wondering why Global Noize would even want to touch it? Well, that's exactly what I was thinking to myself, when I heard the first few notes. As I am looking at my notes (and my Twitter feed) it all comes back to me. I wrote both on my crumpled up piece of paper and my Twitter feed "THIS IS THE REAL SH*T/" And I wrote it for good reason. Global Noize not only completely and utterly CRUSHED the song, as I stood back for a moment and looked at Global Noize on stage, I saw Blacks & Whites & Men & Women on stage, but I also saw Hispanics, I saw Europeans and despite the fact that Falu was missing from the cast, I could feel that Middle East/Far East vibe as well. What I saw on stage was the total family of humanity. Which of course is where the Family Stone would have taken the family of mankind to, had they been able to continue to pursue the music. You see "Family Affair" was the next step after "Everyday People." And Global Noize takes us to the next step beyond. That's why they are badd enough to do "the perfect song" in 2014. (Shout out to Amanda Ruzza on bass)

In Time

From the 1973 album called "Fresh," which is regarded as pretty much the last gasp for Sly & the Family Stone. However the song "In Time," is a tasty and funky little morsel that was very clearly an influence on Shuggie Otis, Prince and others, later in the 1970's. Although Sly & the Family Stone itself had literally run out of time, they left us this gem. And of course Global Noize TORE IT UP, and did so in the most unlikely of ways. In my notes I wrote down; "Is that Maysa or is that Ella Fitagerald?" That's because our friend Maysa Leak reached waaaayyyyy down and did some scat singing from another universe.

Thank You For Talking To Me Africa

One of the things I always liked about Sly Stone is that he seemed to like "covering himself." On may of his songs for example you hear echoes of the song "Dance To The Music." However perhaps his most famous cover of himself can be heard in the song "Thank You For Talking To Me Africa," where he "covers" "Thank you fa letting me be myself." Of course while, Thank you fa letting me be myself," is upbeat & positive, somehow "Thank You for Talking to Me Africa," is deep, dark & disturbing, despite having the same exact lyrics as "Thank you fa letting me be myself." In addition of using re-using the lyrics of "Thank you fa letting me be myself," "Thank You For Talking To Me Africa," also seems to borrow much of the groove from the ultra phunky song "Sex Machine," from the Stand album. Thank You For Talking To Me Africa was perhaps the best song on the album "There's a Riot Going On, " and for my money is one of the greatest songs in the history of FUNK music! Global Noize wasn't afraid to takle it. In fact Nona Hendryx absolutely destroyed it vocally and the band crushed it. I howled with delight as I listened to it.

Jam For Joe (George)

Jam For Joe is a slammin joint that appears on the very first Global Noize album from 2008. It is of course dedicated to the late/great Joe Zawinul and as you might guess, it sounds like something you might hear on a Weather Report album. Before playing the song Jason Miles announces that he is changing the name of the song to "JAM FOR GEORGE," in honor of his friend the late/great George Duke.

As I stated earlier...
This was one of the BEST concert experiences I have ever had. In fact it was so good I didn't want it to end. I went backstage not so much to congratulate the performers, but instead to try as I might to keep the vibe of the concert going. But even after a few minutes of that I could feel the energy starting to dissipate. I then left the venue as quickly as I could, despite the fact that there were more shows going on that night. I didn't need or want to listen to any other music. I didn't even want to listen to the "Sly Reimagined" album in the car. I didn't want ANYTHING to interfere with the great show that was now on "continuous replay," inside of my head.

In fact nearly 1 week later I still feel that way, in fact I'm still wearing that baseball cap.....

Bob Davis - CEO Soul-Patrol
1636-44 Route 38 #310
Lumberton, NJ 08048

--Bob Davis


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